"Digital Detox Spa" is an interactive performance created in collaboration with Beta M. Alexander.
In a public setting, participants are invited to undergo a 10-minute “digital detox.”
Their phone is temporarily locked away and replaced with an iPhone-shaped ice cube. As the “icephone” slowly melts in their hands, the detox guide (Beta M. Alexander) leads them through reflections on their phone use and online habits, offering gentle strategies for calming themselves and navigating the pressures of constant connectivity.
The spa also provides information about social counseling services in the district and local phone shops where devices can be sold. For those feeling particularly committed, there is even the option to leave their phone at the spa permanently.
Installation "cPtsd", 2024, containing:
"Tools", 2024, print of emotional flashback manual, handwritten routine for managing overwhelming emotions, eucalyptus drops, sturdy playdough, ampules with ammonia essence, extra spicy sauce, sedatives; all in ziplock bags, various sizes from 3x5cm to 8x12cm
"Self Portrait, Emotionally Charged", 2024, photo print, 84x119cm
Installation “The Care Monster”, 2024, containing:
"Soft Suit", faux fur sweater and faux fur pants on metal coat hook, ca. 65x150cm
“Toolbox for Overwhelming Emotions”, 2023, Cardboard box covered in faux fur, containing a notebook, a pen, a ziplock bag with dried chilli peppers, eucalyptus drops, photographies, a crocheted worm and bubble wrap, 18x18cm
Photo Series “The Care Monster”, 2024, two photoprints, 15x20cm
"Land for Sale" is a project blurring fiction and reality, prompting viewers to question boundaries. After creating a fictional luxury real estate brokerage with a sales persona, website, and satirical video, advertising signs were publicly placed to guide viewers to the online content, raising credibility questions.
The satirical sales video shown on the website accessed through the QR code on the sign is crafted from real luxury real estate advertising transcripts, highlights the absurdity and privilege of the “luxury” sector, shedding light on its unquestioned privileges and profound impact on societal decisions.
“Airport“, 2020, 150x226 cm, printed canvas, gomited and suspended on nylon yarn
“Always Blue”, 2022, 06“17‘, short film
Series “Poolboys“, 2022,15x21cm each, print on aludibond
“Beachside“, 2022, 150x226 cm, printed canvas, gomited and suspended on nylon yarn
“Seagulls“, 2022, 119x84cm, print on aludibond
Parts of Solo Exhibiton "Holiday" 2022
